From the same museum visit (The Asian Art Museum) as my last post, This beautiful mask stands out in a number of ways for me. The color is the first thing to capture my eye. Dark, glossy, with the subtle lighter shadings of brown on the lips and tip of the nose. I want to call it mahogany wood, but I’m not so sure, I just know it’s strikingly beautiful.
The red ‘scaring’ along the head? I can’t be certain if it is representative of ‘scarification’ meant to signify various things such as status, rank, placing in a tribal hierarchy- or could it be flaws that have spread out over time? In my mind, it fits and adds another layer of complexity and mystery to the overall effect of the mask.
I love the shape of the eyes. Mine are shaped like this so I guess you could say I see a bit of myself in them? I do wonder what it would feel like to be given the opportunity to put this mask on. I wholly believe all art holds power; the power its creators gave it in its construction, along with the power of what the art actually represents or represented at the time and place in history when created.
I’d also love to know what the ‘ear ornaments’ were made from? Amber would be my guess, but don’t quote me on that! Notice the tips have the appearance of nail heads?
Or is that just me?
Then there is the pectoral; the stunning, multi-faceted, complex pectoral beginning high up on the neck and ending with the elongated pieces of what I consider to be sea shells circling the bottom portion of the creation.
My question here is: Decorative? Spiritual? Ritualistic? Could it contain elements of all three possibilities or could I have missed the intention completely!
Irregardless of my lacking knowledge on the origins or intentions behind this fantastic work, my attention was captured from the word go.
This Asian Art Museum, located in San Francisco is a pretty amazing place. Glad I got to make the trip here and see so much incredible art!